{"id":4550,"date":"2022-04-16T13:00:00","date_gmt":"2022-04-16T20:00:00","guid":{"rendered":"https:\/\/bajafilmcommission.com\/?p=4550"},"modified":"2026-03-04T11:50:30","modified_gmt":"2026-03-04T19:50:30","slug":"proyectan-por-primera-vez-cortometraje-ano-sin-luz-en-cineteca-carlos-monsivais","status":"publish","type":"post","link":"https:\/\/bajafilmcommission.com\/en\/proyectan-por-primera-vez-cortometraje-ano-sin-luz-en-cineteca-carlos-monsivais\/","title":{"rendered":"SHORT FILM \u201cA\u00d1O SIN LUZ\u201d IS SCREENED FOR THE FIRST TIME AT CINETECA CARLOS MONSIV\u00c1IS"},"content":{"rendered":"<ul class=\"wp-block-list\"><li>Made in 5 days on location in Tijuana.<\/li><li>The short film will start its festival route<\/li><\/ul>\n\n\n\n<p>The short film \"A\u00f1o sin luz\", written and directed by Marlon Morales and starring actor Adolfo Madera, was presented at the Carlos Monsiv\u00e1is Film Library of the Tijuana Cultural Center (CECUT), as reported the Secretary of Economy and Innovation, Kurt Honold Morales.<\/p>\n\n\n\n<p>Filmed over five days, it used locations in Tijuana such as the tunnel to Playas de Tijuana, Big Boy Restaurant, Revoluci\u00f3n Avenue, Colinas de Agua Caliente and the 20 de Noviembre neighborhood.\n\nIt is about Ulises (Madera), a judicial officer tired of the violence that exists in his work and in the country and narrates in detail his last case before retiring: The disappearance of Luc\u00eda Pardo in northern Mexico in 1997.<\/p>\n\n\n\n<p>After 3 months of post-production and its public presentation, \"A\u00f1o Sin Luz\" will be sent to its festival route, according to what is indicated by the Baja Film Commission.<\/p>\n\n\n\n<p>In addition to Adolfo Madera, the cast is made up of Noelia Beltr\u00e1n, Maru Kaz\u00e1n, and Ra\u00fal B\u00f3xer. The direction of photography is by Bianca Arvizu; production design by Brenda Bellozo; Arturo Campos, first assistant director; Francisco Charolet, gaffer; Fulvio Cortez, sound engineer; Sinah\u00ed Avalos, decoration; Tom\u00e1s Sandoval, continuist; Lizeth Serrano, production coordinator; Ricardo Carre\u00f1o, sound design; Fabian Arredondo Ponce, musical composer; Israel Espinoza, first camera assistant; Misael Andal\u00f3n and Paulo Cabrera, second camera assistant.<\/p>\n\n\n\n<p>Also, Wendy Torres participated as a makeup artist; Alberto Villaescusa, art assistant; Carlos Bustamante, grip; Walter Armenta and H\u00e9ctor Moj\u00fata, best boy; Carlos Saavedra, BTS; Fernando Guzman, color; and the executive production of Oscar Inzunza in conjunction with Marlon Morales who also serves as producer along with Bianca Arvizu and Juan Hern\u00e1ndez.<\/p>\n\n\n\n<p>About the project, the director commented: \u201cIt was a totally different experience from our previous ones, not only because of recording in the time of COVID, but also because of the number of challenges and demands, external or internal, that arose resulting in the best time I have ever had. Filming a movie project here in Tijuana.\u201d\n\nFinally, the director thanked Adolfo Madera and the entire team that made \"A\u00f1o Sin Luz\" possible.<\/p>","protected":false},"excerpt":{"rendered":"<p>Realizado en 5 d\u00edas en locaciones de Tijuana. El cortometraje iniciar\u00e1 su ruta de proyecci\u00f3n en distintos festivales. El cortometraje \u201cA\u00f1o sin luz\u201d escrito y dirigido por Marlon Morales y protagonizado por el actor Adolfo Madera, se present\u00f3 en la Cineteca Carlos Monsiv\u00e1is del Centro Cultural Tijuana (CECUT), inform\u00f3 el secretario de Econom\u00eda e Innovaci\u00f3n, [&hellip;]<\/p>","protected":false},"author":2,"featured_media":4552,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[71],"tags":[72,75],"class_list":["post-4550","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","tag-cine","tag-cortometrajes","clearfix"],"_links":{"self":[{"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/posts\/4550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/comments?post=4550"}],"version-history":[{"count":1,"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/posts\/4550\/revisions"}],"predecessor-version":[{"id":4553,"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/posts\/4550\/revisions\/4553"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/media\/4552"}],"wp:attachment":[{"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/media?parent=4550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/categories?post=4550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bajafilmcommission.com\/en\/wp-json\/wp\/v2\/tags?post=4550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}